Steve McQueen returns to the big screen with his new film Widows, his first feature in 5 years since 2013’s 12 Years a Slave. Check out the trailer for the female lead crime movie here.
Featuring a huge cast, the film is about a set of widows who have all been left in debt by their dead husband’s criminal activities after they die in the middle of holding up a security van. Viola Davis’ Veronica Rawlins puts a criminal team together to finish the job and take what’s theirs. Co-written with Gillian Flynn who wrote Gone Girl, Widows is based on a TV mini series by Lynda La Plante from the 1980s which also sounds amazing!
Davis stars with Michelle Rodriguez, Cynthia Erivo and Elizabeth Debicki, all as the widows along side Liam Neeson, Jon Bernthal and Daniel Kaluuya. In what looks like a no holds barred crime thriller, McQueen seems to be exploring his own abilities as an action director with police chases and shoot outs thrown in for good measure. Pretty certain you’re not allowed to have a crime film with them!
Also starring Colin Farrell, Garret Dilliahunt, Carrie Coon and Robert Duvall, we can expect to see it being released into cinemas in November this year.
Ordinarily there would be a warning of a trailer, a teaser for a teaser if you will. However lately Marvel have been subverting this stupidity, first with Thor: Ragnarok where the first look dropped without any prior knowledge and now, just this weekend, we got to see a glimpse of what Black Panther will look like. My god! What a trailer! It’s a very un-Marvel looking trailer with Ryan Coogler taking the directors seat.
We are taken on quite a journey, essentially on a tour of Wakanda. We had a very brief glimpse of it in Civl War where Bucky went back on ice and the Black Panther statue was revealed. The trailer has confirmed that this is a nation with vast wealth after seeing the city landscapes, it’s weapons and technology.
In the trailer we see a huge range of the cast which starts with Andy Serkis talking to Martin Freeman in an unknown location about the African nation. Then we see Black Panther (Chadwick Boseman) in a gun battle, showing his superb agility. These fight scenes are going to be something very different.
We then delve deep into Wakanda and see Michael B. Jordan training and battling against a tribe, with him is Daniel Kaluuya. It looks as of Jordan has been taken prisoner and Kaluuya is a guard however I’m just guessing!
The trailer shows what appears to be an internal uprising as well as forces coming into Wakanda to take over from T’Challa who has become King after his father’s death. Lupita Nyong’o, Forest Whitaker and Danai Gurira all make fleeting appearances however they will have much bigger roles than the trailer suggests.
Out in February 2018, Black Panther is the 18th MCU movie and it’s directed by Ryan Coogler.
Creating a horror these days is tough thing to do due to audiences becoming desensitised by violence after seeing it several times over. Being a master of this genre is equally tricky as it takes risks, originality and wit, all the key tools which Jordan Peele possesses. Better known as one half of comedy duo Key & Peele, he seems an unlikely candidate to create what is one of the most original horror movies of all time. Peele has been praised several times for his intensely terrifying film, Get Out, his directorial debut which he also wrote.
Daniel Kaluuya stars as Chris Washington, a successful photographer who is African-American and has been seeing a Caucasian girl for five months called Rose Armitage (Allison Williams). The pair are visiting her parents, played superbly by Bradley Whitford and Catherine Keener, for the weekend which happens to coincide with a big annual party they throw for their esteemed guests. During his time at the Armitage’s home, Chris’s encounters with the entirely black staff are strange. They have an almost robotic look within their smiling faces and cold gaze, almost as if they are looking right through you. Throughout the film, there is a certain unnerving sense.
During the party sequence, each guest approaches Chris to poke and prod his existence in a slightly odd however seemingly friendly way. It’s an uncomfortable and interestingly humorous sequence which pushes the plot forward. It moves along at a perfect pace especially with its interjected moments of comedy gold from Milton Howery’s airport police officer Rod Williams who brings some big moments.
The film’s comment on liberal racism is prominent throughout, hinting at it now and then and occasionally throwing it in your face along with some gruesome horror and dark comedy. It’s consistently surprising but not in a typical horror movie way, there are rarely any moments of peace and quiet that are interrupted by a bang. The fear, intensity and thrills come more from the mood throughout the film, which you feel from the moment you enter the country house. Peele has crafted a movie which shows how smart a horror movie can be, whilst creating scenes that are intense, thrilling and funny all at once. It’s one hell of a talent to have.