After becoming a drug-runner, former boxer Bradley Thomas gets imprisoned in a maximum security facility to complete a violent task.
Until a few years ago, Vince Vaughan was primarly seen as a comedic actor. Starring in movies such as Wedding Crashers, Dodgeball and Old School, he made his mark on the industry by making people laugh. More recently however he’s been pushing his serious actor status after working on various projects such as Hacksaw Ridge, True Detective and now Brawl in Cell Block 99. Whilst he’s an interesting presence, the film isn’t quite the role Vaughan was probably hoping for.
He stars as Bradley (not Brad) Thomas, a former boxer who is fired from his job at a garage. Feeling desperate to provide for his wife, he turns to drug dealer Gil to become a driver in order to make a living. When a deal goes wrong, he’s arrested and thrown into prison. During Bradley’s stint, his wife is kidnapped and he’s tasked with killing a fellow inmate in order to get her back.
The film rests on Vaughan’s fighting skills and that is something which is worth seeing, at first. Besides his anger, he’s relatively emotionless, only breaking down once. A straight talker who tells you what he’s thinking, it seems he’s always on the lookout for trouble, even before prison. Furiously smashing a car with his bare fists, breaking bones of those who get in his way, even becoming aggressive with his own associates, it’s clear that he’s been like this for a while. It’s a heavy weight to carry and Vaughan doesn’t quite manage it. His fighting style becomes quite dull as it’s the same thing over and over again. He’s easily the best thing but when he’s up against several mishandled supporting characters such as the warden pretending to be a sheriff (he may as well literally have said “I’m the sheriff in this town”) and a few slimey bad guys, it’s not that difficult. The prison guards were pretty funny though, you can imagine the sense of humour you need to work in a place like that.
This is a messy, brutal and fierce film looking to make Vince Vaughan into a bigger brute than he seems. It’s certainly commendable but falls flat due to it’s clunky dialogue, over the top gore and a terrible supporting cast.
2 out of 5.
Keep. It. Reel.